I mean i can just do 1080, but that is not really a solution. When i view the edit in DR and export the file on my machine i see one thing, but when i upload to YT it is darker. The 1080 is using h.264 and the larger one is using V9 ( vp09). Jim Robinson in a Davinci group on FB thought it might be youTube conversion (compression). I used 4k video downloader, but both times it only downloaded a 1080p file.īoth the 1080 version bd the 2160 version has the following stats when downloaded: That bit darker is not what i want as this in most cases will be the final product for client.Īndrew Kolakowski wrote:There are website where by pasting YT link it allows you to download actual video (different versions). Looks good in DV, looks the same exported, but darker on YT in Chrome, FF, but correct in Safari. The thing is i want the file i have created to look the same as how it was edited in Da Vinci. Paul Willis wrote:You can needlessly send yourself insane worrying about this as it's likely a playback issue and beyond your control. If what comes out of Resolve also looks right when it's brought back in, then there's nothing else to worry about that's within your control. Then we encode with Media Encoder and upload to whichever platform is requested. Last week my android mobile was showing Vimeo playback with raised black levels, but this week it seems to be working fine.Īs someone that delivers HD SDR ads and web content all the time at a post facility, all we do is grade at Gamma 2.4, export our masters as ProRes at Video levels, no gamma tags are set. Have you tried downloading the encoded file (not original) from Vimeo and dropping it back into Resolve? How does it look? Run a test by exporting some colour bars from resolve, use video levels, upload to Vimeo and test on multiple devices.Īll browsers seem to respond to system colour management differently, things also change with software updates over time. Usually, in practice, it is MUCH faster to do a Same-As-Source export from MC, or a QT Reference export from MC, then use a modern 3rd party encoding application like. Third downside is that you have very limited control over the H264 settings. HandBrake creates the widely supported container formats MKV and MP4 (sometimes seen as M4V), in addition to the WebM container. The second is that you will be using the Apple H264 codec, which is notorious for its gamma shifts. Reasons you’ll love HandBrake: Convert video from nearly any format Free and Open Source Multi-Platform (Windows, Mac and Linux) Download HandBrake 1.6. Note: all the screencaps are taken in VLC. HandBrake is a open-source tool, built by volunteers, for converting video from nearly any format to a selection of modern, widely supported codecs. I really want to be able to use Handbrake to archive my footage and save space but not if it's going to do this kind of gamma boost to it.You can needlessly send yourself insane worrying about this as it's likely a playback issue and beyond your control. Containers are files that wrap around video and audio tracksindexing and organizing the streams for playbackin addition to providing advanced features, like chapters similar to those on DVDs. My problem: when I plug my MOV (exported from FCPX/Compressor) into Handbrake to make an MP4, the resulting MP4 has the wrong colour. Given that it only happens in Vegas Pro, it feels like there must be something I can do to overcome it but I'm stumped. I've tried a ton of different Handbrake settings and profiles and nothing has resolved this. Tra l Possiamo trovare i principali formati supportati da HandBrake: MP4 (.M4V) e. However, it's not only there when editing in Vegas Pro, it renders out with the gamma boosted as well and that is visible in any player. If I view the transcoded video in any other player, the brightness is no different from the original. Here's the kicker though: This only happens in Vegas Pro. The brightness difference is pretty obvious there but it's even worse with the raw footage. Here are comparison shots, the second image being the one that I imported after Handbrake conversion. Anything that gets transcoded in Handbrake gets a significant gamma boost when imported into Vegas Pro 13, to the point where it looks washed out. However, there's one major problem that I can't figure out. This results in much smaller files with minimal quality reductions. What I've been doing to alleviate this is after a while, I take my old captured footage and transcode it using Handbrake. However, I like to archive all my old footage and projects but have limited storage space and budget. I run a YouTube channel and record and edit footage in high quality, often with large files. I've been beating my head against this problem for a while and I hope one of the gurus here has an answer.
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